News Archive

Private View held by Richard Andrews

Last updated : 31st January 2001

Commencing

London Art Week aims to do for art what London Fashion Week does for fashion, except that you won't have to pull strings to get an invitation - we can all go to these events. The capital's top galleries, both public and commercial, are holding evening openings, talks, film shows, performances and club nights, in an attempt to expose art to a wider audience. Highlights, in addition to the opening of the two major exhibitions below, include: Painting 2001 - artists from Berlin, Los Angeles and New York at Victoria Miro; Scores - a combination of performance and video art at the Oxo; and Bathtime - a Visual Art/Jazz/Synchronised Swimming event by Camberwell Arts at Camberwell Leisure Centre. Events across London until 4th February

Century City: Art And Culture In The Modern Metropolis is the first special exhibition to be staged at what is generally held to have been the star Millennium cultural project. It explores the relationship between cultural creativity and the metropolis, focusing on nine cities from around the world at specific times in the last century. The cities and periods are: Paris 1910s, Vienna 1910s, Moscow 1920s, Rio de Janeiro 1950s, Lagos 1955-1970, New York 1970s, Tokyo 1970s, Bombay/Mumbai 1990s, and London 1987-2001. The aim is to provide a global perspective on defining moments of modern art and culture, examining cultural explosions in which art, architecture, cinema, dance, fashion, music and theatre flourished in a dynamic and radical interchange. The eclectic range of artists, designers, writers, composers and film makers includes King Sunny Ade, Sergei Eisenstein, Sonia Boyce and Philip Glass. This must be the ultimate Millennial exhibition. Tate Modern until 29th April.

Give And Take is a unique collaboration between a David and a Goliath of cultural institutions - the Serpentine Gallery and the Victoria & Albert Museum. It is one exhibition on two sites, designed to provide an opportunity to experience the unexpected connections between contemporary art, and art of the past. Hans Haake has been given the task of rooting around the basement of the V&A and selecting over 100 objects from its reserve collection to create 'Mixed Messages' at the Serpentine. This is an installation of items from different cultures, historical periods and media, viewed afresh by this particular juxtaposition. At the V&A, works by 15 contemporary artists whose natural home would be the Serpentine, are individually insinuated into the period splendour of the mausoleum in Cromwell Road. Those involved include Xu Bing, Wim Delvoye, Jeff Koons, Royy Paine and Yinka Shonibare. Serpentine Gallery and Victoria & Albert Museum until 1st April.

Continuing

The Genius Of Rome: 1592-1623 examines a period when Rome became the leading artistic centre, with young and ambitious artists flocking there from throughout Italy and the rest of Europe. It focuses on the ways in which Caravaggio, Carracci, Elsheimer, Rubens and their contemporaries responded to similar artistic themes, influenced one another, and jointly laid the foundations for what was to become the Baroque style. They created paintings which were far more direct, natural and immediate than those of their predecessors. Caravaggio is undoubtedly the star in involving his audience with his subjects. 'The Taking Of Christ' (in which he appears carrying a lantern) embodies the spirit of the movement in its observation of light, capture of motion, and violence of subject - almost creating a press photograph of the incident. The realism of his 'St John The Baptist', bringing a graphic humanity to a religious figure, illustrates why works of these painters were not always acceptable to the church. The exhibition features some 150 paintings, several of which have never previously been seen in this country, from over 40 artists. The climax of the exhibition is an installation of 16 altarpieces that recreate the atmosphere of a Roman Baroque church. There have been few occasions when such a large collection of history making work has been seen in Britain. Royal Academy of Arts until 16th April.

Bond At Beaulieu is a chance to see up close an extensive collection of authentic vehicles which have featured in James Bond films. The exhibition includes: Aston Martin DB5 from "Goldeneye", Aston Martin Volante from "The Living Daylights", BMW 7 Series and Jump Bike from "Tomorrow Never Dies", BMW Z 8 - both halves - from "The World Is Not Enough", Lotus Esprit from "The Spy Who Loved Me", and Rolls-Royce Phantom III used by "Goldfinger", plus gadgets and artefacts from many films - even Jaws steel teeth. In addition there is an opportunity to see how the stunts were created - from storyboard to finished film - and then view the results in clips from the Bond blockbusters. The National Motor Museum, Beaulieu until April.

Sigmar Polke: Music Of Unclear Origin is the first major exhibition in Scotland of works by Polke, one of Germany's foremost painters, and the largest collection ever shown in the UK. He came to prominence in the 1960s and 1970s, with works similar in style to the Pop Art being made in Britain and America at the time. Polke borrows freely from numerous and widely varying sources, including advertising and popular culture - he likes to deface ads with cartoons and captions. A prodigious output combines a range of different subjects and styles (often combined/juxtaposed in one work). The most consistent feature is a blown up newsprint style, similar to Roy Lichtenstein, in which he applies the paint dot by dot using a pencil eraser. Scottish National Gallery Of Modern Art, Edinburgh until 18th March.

I Am A Camera has a simple premise, presenting the work of nine artists whose medium is photography or painting which has a photographic quality. What it delivers in the contrasting works of two contributors in particular, is an extraordinarily vivid portrait of the extremes of American society. Jessica Craig-Martin inhabits the uptown world of ladies who lunch - for charity - showing in close up (usually cutting off heads) the style details which are so important in the milieu of fundraisers and benefits. These are the pictures Craig-Martin takes for herself, while pursuing her day job as recorder of social functions for American Vogue. Nan Goldin moves in the downtown world of the Lower East Side streets, among junkies, poets and transvestites. She specialises in series of pictures, which tell the story of particular characters. Between these two stand Duane Hanson's hyper real sculptures of the working urban poor who service Manhattan, specifically cleaners, and other blue collar workers. Saatchi Gallery, London NW3, 020 7624 8299 until 25th March.

Portraits In Profile: The Deighton Family is an exhibition of hand coloured etchings from the 1790s, offering fine examples of how caricatures became an established satirical form. One of the most notable artistic families of the Regency period, the Deightons (Robert Snr, Robert Jnr, Denis, Richard and Joshua) were renowned for their colourful etched profile portraits of personalities of the time. While not as savage as James Gillray or George Cruickshank, their humorous character studies still offered a sharp comment on members of the Royal household, members of parliament, the military, bastions of polite society and pillars of the stage. National Portrait Gallery until 8th July.

Human And Divine presents two millennia of Indian sculpture, highlighting the variety and achievements of a dynamic artistic tradition. The human form has been used in Indian art to portray the gods and goddesses of Hinduism, and the saviours and saints of Buddhism and Jainism. These include the four armed Vishnu, preserver of the universe, Shiva - Lord Of The Dance, god of destruction, and Sarasvati, goddess of learning and the arts. The symbolism of each figure's pose and gesture has great significance to their followers. This exhibition explains why Indian sculpture looks as it does, and what this symbolism means. Over seventy works illustrate a wide range of skills in stone, bronze, terracotta, marble, ivory and wood, from miniatures to large scale sculpture. City Art Gallery, Southampton until 25th March.

Concluding

William Blake is probably the most exhaustive exhibition ever mounted of the work of the unique and innovative British artist and poet, comprising over 500 items. Although largely overlooked in his time, and often derided as a lunatic, Blake's impact and influence on later generations of artists, writers and musicians has been considerable, and he remains a major reference point in British culture today. Blake was a one man industry, combining writing and illustration on engraving plates, the prints from which he hand tinted with watercolours. He was a forthright and opinionated religious non-conformist who frequently saw visions. These often provided the inspiration for apocalyptic images of God, angels, characters from Bible stories and figures from a mythology that he created. Blake's life long interest in the Gothic was a primary source of his distinctive style and technique, and remained for him an ideal of spiritual and artistic integrity. One of the highlights of this exhibition is the entire collection of 100 plates that make up the epic poem Jerusalem, which has not been shown in Britain for almost 80 years. Tate Britain until 11th February.

Turner: The Great Watercolours marks the 150th anniversary of the death of Britain's greatest painter with the first exhibition devoted to J.M.W. Turner's exploration of the scope and potential of watercolour (rather than his better known work in oils). The exhibition includes many of his architectural and country-house drawings, and works from the "Picturesque Views in England and Wales" series, generally considered to be the finest views of the British landscape ever made. It culminates in a group of Swiss watercolours from the 1840's in which Turner captured the beauty, luminosity and space of the Alps. This is an unparalleled survey of 100 of the artist's finished watercolours (as opposed to sketches for future oils), dazzling in their breadth of scale, depth of tone, richness of colour and wealth of detail. Royal Academy of Arts until 11th February.

Slipstitch+ - New Concepts In Knitting offers needles and wool on steroids, giving them an Arnold Schwarzenegger edge. It features sculptural structures, furniture and other creations made from materials which include electro-plated polypropylene thread and industrialised closed cell polythene foamrod (whatever they are). These works by British and Dutch designers have more to do with the high tech, industrial, architectural and textural than homely jumpers by the fireside. Structural form and technical know-how shape the work of the modern knitter, whose concerns are 21st century materials and fantastical finishing processes. James Hockey Gallery, Farnham, Surrey, 01252 892668 until 10th February.